2. The next stage was to dry brush the figure in white. It may seem a bit of a longwinded way to go about things, but I find that by doing it this way, the detail is picked out nicely ready for painting.
3. The next job was to block in the main colours, in this case an off white for the tunic to represent undyed linen and red trousers for contrast. I am quite careful to try and leave the black undercoat showing between areas of colour, to save lining it in later. Then I picked out the more detailed parts, such as belts, etc. The flesh came next, again taking care to leave the black showing through in the recesses like the eye sockets, between the fingers, the mouth and under the nose.
4. Once everything had been given its colour, I then took a thinned down wash of dark brown to the face and hands. This has the effect of slightly darkening the skin tone, and also softening the shading in the recesses. Once that was dry I used the same colour slightly less thinned down than for the skin and touched in the folds on the clothing, and also lined in between the hands and the tunic sleeves. Last job was for a thin line of watered down black to add shadow to the helmet, where the crest attaches, and at the join between the helmet and the cheek pieces.